“Stop thinking about art works as objects, and start thinking about them as triggers for experiences. (Roy Ascott’s phrase.) That solves a lot of problems: we don’t have to argue whether photographs are art, or whether performances are art, or whether Carl Andre’s bricks or Andrew Serranos’s piss or Little Richard’s ‘Long Tall Sally’ are art, because we say, ‘Art is something that happens, a process, not a quality, and all sorts of things can make it happen.’ … [W]hat makes a work of art ‘good’ for you is not something that is already ‘inside’ it, but something that happens inside you — so the value of the work lies in the degree to which it can help you have the kind of experience that you call art.”—
“Creating a life that reflects your values and satisfies your soul is a rare achievement. In a culture that relentlessly promotes avarice and excess as the good life, a person happy doing his own work is usually considered an eccentric, if not a subversive. Ambition is only understood if it’s to rise to the top of some imaginary ladder of success. Someone who takes an undemanding job because it affords him the time to pursue other interests and activities is considered a flake. A person who abandons a career in order to stay home and raise children is considered not to be living up to his potential-as if a job title and salary are the sole measure of human worth. You’ll be told in a hundred ways, some subtle and some not, to keep climbing, and never be satisfied with where you are, who you are, and what you’re doing. There are a million ways to sell yourself out, and I guarantee you’ll hear about them.”—Bill Watterson (via mikekarnell)
“You are only as good as your next book, your next blog post, or your last talk. (…) The tyranny of the content calendar is responsible for a lot of weak content on the web. Keeping up that pace out of deference to some kind of received wisdom about publishing frequency may not by default lead you to the kind of intellectual dishonesty of which Lehrer was guilty, but it does place stress on the system, as it were.”—
A content calendar is a necessity forced by the offline way of making content. The magazine, the newspaper, the TV show must be published and I don’t care if you have a great idea or not. That’s not true on digital and specially not true in the age of Facebook, where fewer and fewer people go to your homepage checking for new content.